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Pierre-Louis Détrier (1822-1897)  « The boules Game », France Circa 1870
Pierre-Louis Détrier (1822-1897)  « The boules Game », France Circa 1870 - Sculpture Style Napoléon III Pierre-Louis Détrier (1822-1897)  « The boules Game », France Circa 1870 - Pierre-Louis Détrier (1822-1897)  « The boules Game », France Circa 1870 - Napoléon III Antiquités - Pierre-Louis Détrier (1822-1897)  « The boules Game », France Circa 1870
Ref : 127826
6 500 €
Period :
19th century
Artist :
Pierre-Louis Détrier (1822-1897)
Provenance :
France
Medium :
Gilded and patinated bronze
Dimensions :
l. 14.96 inch X H. 13.78 inch X P. 13.39 inch
Sculpture  - Pierre-Louis Détrier (1822-1897)  « The boules Game », France Circa 1870 19th century - Pierre-Louis Détrier (1822-1897)  « The boules Game », France Circa 1870 Napoléon III - Pierre-Louis Détrier (1822-1897)  « The boules Game », France Circa 1870
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19th Century Furniture and Works of art


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Pierre-Louis Détrier (1822-1897) « The boules Game », France Circa 1870

Signed Détrier

Charming, intimate group in patinated bronze with golden highlights, depicting a genre scene that is fully in keeping with the 19th-century historicist style, which sought to recreate the elegance of the 18th century with nostalgia and precision. Two gentlemen dressed in mid-18th-century fashion, engaged in a game of boules, are seated around a game table, perfect example of miniaturized cabinetmaking, with its curved legs adorned with acanthus scrolls and asymmetrical shells typical of Rocaille art. The table’s apron is adorned with a frieze of godrons.

This bronze sculpture is a precious testament to the 19th-century fascination with the Siècle des Lumières, capturing the spirit of conversation, leisure, and elegance of that bygone era.

Biography :
Pierre-Louis Détrier (1822–1897) was a bronze sculptor born in Vougécourt in Haute-Saône. A student of Guérard, he made his debut at the Salon in 1866 and received an honorable mention in 1885 for a marble group depicting La jeune mère (No. 3616). The Bulletin of the Historical and Archaeological Society of Langres wrote in 1890 that he “had made a name for himself among French sculptors” and highlighted his most notable works at the Salons des Champs-Élysées, including the aforementioned La jeune mère (1885), Le Nid (1889), and Grande Sœur (1890). He continued to exhibit there until 1896.

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CATALOGUE

Bronze Sculpture Napoléon III