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The Annunciation, 17th/18th cnetury Florentine painter
The Annunciation, 17th/18th cnetury Florentine painter - Paintings & Drawings Style Louis XIII The Annunciation, 17th/18th cnetury Florentine painter - The Annunciation, 17th/18th cnetury Florentine painter - Louis XIII Antiquités - The Annunciation, 17th/18th cnetury Florentine painter
Ref : 119472
4 400 €
Period :
17th century
Provenance :
Italy
Medium :
Oil on canvas
Dimensions :
l. 26.77 inch X H. 21.65 inch
Paintings & Drawings  - The Annunciation, 17th/18th cnetury Florentine painter 17th century - The Annunciation, 17th/18th cnetury Florentine painter Louis XIII - The Annunciation, 17th/18th cnetury Florentine painter Antiquités - The Annunciation, 17th/18th cnetury Florentine painter
Antichità Castelbarco

Old master paintings


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The Annunciation, 17th/18th cnetury Florentine painter

The Annunciation

Florentine painter, 17th/18th century

Follower of Alessandro Allori (Florence, 1535 – Florence, 1607)

Oil on canvas 45 x 58 cm  - Framed 55 x 68 cm

A splendid canvas celebrating the theme of the Annunciation, the moment when the archangel Gabriel brings Mary the news that she will give birth to the Son of God, in a style that was very popular from the late 16th century to the first half of the following century. On the left, the Archangel Gabriel is depicted with his hands crossed over his chest, caught in the moment of the supreme announcement, with his eyes half-closed in an attitude of devotion.

Before him is the Virgin Mary, seated on a throne-like armchair, looking up towards the dove of the Holy Spirit. A diagonal ray of light connects her gaze with God the Father, at the top left, on which is imprinted, as in a mirror, the Latin phrase ‘Ecce ancilla Domini’ (behold the handmaid of the Lord), which is the Virgin's response to the announcement.

The canvas is of excellent quality, embellished with gold finishes on the halos framing the faces. The painter emphasises the beauty of the Virgin, interpreted as an ethereal woman, characterised by the whiteness of her complexion. Great attention has been paid to detail, from the wooden throne decorated with geometric motifs, above a lace curtain probably made on a tombolo, to the beautiful carpet on the floor.

The work is inspired by the famous fresco in the Basilica dell'Annunziata in Florence, painted around 1250, with stylistic features that place it unmistakably within the Florentine figurative culture of the mid-17th century: more precisely, we can trace its author among the followers of the Florentine artist Alessandro Allori.

Like many Florentine artists of his time, the painter produced numerous copies of the fresco, either complete or partial, commissioned by the grand ducal family and noble Florentine families as objects of private devotion or gifts to be sent to eminent personalities, or at the request of foreign clients.

Among these, we can mention the small painting on copper, signed and dated by Alessandro Allori in 1606, now in the Pitti Palace in Florence The Duomo Museum in Milan also houses a copy of the same painting by Allori from 1579, commissioned by Francesco I de' Medici as a gift for Cardinal Federico Borromeo. There is also another Annunciation attributed to Allori on display in the choir of the Monte dei Cappuccini

Delevery information :

We take care of and organise the transport of the purchased works, both for Italy and abroad, through professional and insured carriers.

We take great care We personally take care of the packaging, to which we devote a great deal of care: each work is carefully packed, first with arti- cle material, then with a custom-made wooden box.

Should you have the desire to see this or other works in person, we would be happy to welcome you to our gallery in Riva del Garda, Viale Giuseppe Canella 18, we are always open by appointment only.

Antichità Castelbarco

CATALOGUE

17th Century Oil Painting Louis XIII