17th Century, Italian Painting Depicting Madonna della Purità

17th Century, Italian Oil on Panel Painting Depicting Madonna della Purità
The painting, executed in oil on a circular wooden panel and presented in an imposing carved and gilded wooden frame, depicts the Madonna della Purità, an iconographic representation of the Virgin Mary that was particularly widespread in Italy, especially in the Kingdom of Naples, where an important pictorial tradition was linked to this devotion.
The image of the Madonna della Purità originated in the Jesuit environment and became closely associated with the devotion promoted by the Theatine Order, founded by Saint Cajetan of Thiene (1480-1547). Its iconography is linked to the spirituality of the Virgo Purissima, exalted by the Council of Trent (1545-1563), which reinforced Marian worship and the doctrine of the Immaculate Conception. One of the most well-known prototypes is the painting of the Madonna della Purità preserved in the Theatine convent in Naples, created by Luis de Morales (1510-1586), a Spanish painter active in the late Renaissance. This artwork was brought to Naples by the Theatines, donated by the priest Diego Di Bernardo y Mendoza, and became an iconographic model for subsequent representations.
The Virgin is characterized by an ethereal appearance, conveying humility and purity.
Covered with an ultramarine blue mantle that drapes over her head and shoulders, and wearing a cinnabar red robe, she keeps her eyes half-closed as a sign of humble detachment and obedience to divine will. She holds the Infant Jesus with her right arm and, in supporting him, gently caresses his right foot with maternal tenderness. The Child is portrayed in a delicate body movement, appearing in a precarious balance. Seated on the Virgin’s right knee, he turns his head outward, with a serious and communicative gaze rather than a smiling expression. With his right hand, he grasps a fold of his mother’s mantle, almost as if he wanted to modestly fold it over her face. In his left hand, a barely visible apple symbolizes the sin of Adam and Eve, a reference to original sin that transforms into a redemptive fruit of salvation.
This painting, executed in Central Italy during the 17th century, is a refined interpretation of Madonna della Purità by Luis de Morales, depicted with meticulous attention to detail and flesh tones. The dark background, decorated with golden lily motifs, simulates damask silk and gold fabrics.
The artwork, highly decorative and visually appealing, features a circular format that recalls the taste for intimacy and domestic spirituality typical of this iconographic genre. Suitable for various interiors, it is particularly well-suited for spaces such as offices, bedrooms, and living rooms.
The gilded background, particularly in the areas of the lilies, was restored in the 19th century, as was the gilding of the frame.
Diagnostic analyses have been carried out and we can provide the report upon request.