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Battle Between Cavalry, Antonio Calza (, 1653 – 1725)
Battle Between Cavalry, Antonio Calza (, 1653 – 1725) - Paintings & Drawings Style Louis XIV Battle Between Cavalry, Antonio Calza (, 1653 – 1725) - Battle Between Cavalry, Antonio Calza (, 1653 – 1725) - Louis XIV Antiquités - Battle Between Cavalry, Antonio Calza (, 1653 – 1725)
Ref : 121512
5 500 €
Period :
17th century
Provenance :
Italy
Medium :
Oil on canvas
Dimensions :
l. 41.34 inch X H. 25.98 inch
Paintings & Drawings  - Battle Between Cavalry, Antonio Calza (, 1653 – 1725) 17th century - Battle Between Cavalry, Antonio Calza (, 1653 – 1725) Louis XIV - Battle Between Cavalry, Antonio Calza (, 1653 – 1725) Antiquités - Battle Between Cavalry, Antonio Calza (, 1653 – 1725)
Antichità Castelbarco

Old master paintings


+39 333 2679466
Battle Between Cavalry, Antonio Calza (, 1653 – 1725)

Antonio Calza (Verona, 1653 – Verona 1725)

Battle between Christian and Turkish cavalry

Oil on canvas 47 x 85 cm In frame 66 x 105 cm

Here we see a fierce battle between Christian and Turkish cavalry characterised by remarkable dynamism and expressive power.

The two sides are in the heat of battle, while lifeless bodies and wounded horses lie on the ground, along with scattered weapons and a drum, heightening the drama of the clash.

These elements, combined with the intense colour palette, careful attention to lighting and decisive, dramatic brushwork, suggest that the work is by Antonio Calza (Verona, 1653 – 18 April 1725), one of the most influential battle painters of the 17th century.

In Rome, he became a pupil and then one of the best followers of Jacques Courtois il Borgognone (Saint-Hyppolite 1621 – Rome 1676), between the end of the 17th and the first quarter of the 18th century. Although he assimilated his master's teachings, he developed a personal style based mainly on the unmistakable dynamic development of the narrative and lively, bright colours, characterised by bright reds and blues.

Although smaller in size, we can find in the work in question the distinctive stylistic features of Calza's painting, in particular figures and details that recur in his battles and can be implicitly considered his signature. In this regard, it is easy to compare the painting in question with those in his body of work, collected by Giancarlo Sestieri in his essay “Pittori di battaglie, maestri italiani e stranieri del XVII e XVIII secolo” (Battle painters, Italian and foreign masters of the 17th and 18th centuries), from which we have selected a few works that we present below (the relevant illustrations are shown in detail):

Battle with Trumpeter and Drummer, 97x124.5 cm, Verona, Castelvecchio Museum

Battle between Christians and Turks in front of a Fortress, Rome, Antique Market, 1940s

Clash of armoured knights, 65 x 81 cm. Venice, private collection

Battle between Christian and Turkish cavalry in front of a square tower, 80 x 103 cm. Bergamo, private collection

Battle between Christian and Turkish cavalry, 93 x 122.5 cm. Ljubljana, Narodna Galerija

Battle between Christians and Turks in front of a burning city, 99 x 128 cm. Vienna, Kunsthistorisches Museum

Among the typical elements, the frequent towers are undoubtedly significant, contributing to the setting of the compositions and, together with clouds and black smoke, creating a sort of stage presence around the space of the battle.

The painter often introduces a horse on the ground, of which we see only the rear, a trick to involve the viewer, making them active and part of the scene. Similarly, the lifeless bodies that the painter depicts in the foreground are often positioned face down with their heads turned towards the viewer.

Finally, a detail present in many of Calza's canvases is a drum, placed in the foreground, overturned and abandoned.

Delevery information :

We take care of and organise the transport of the purchased works, both for Italy and abroad, through professional and insured carriers.

We take great care We personally take care of the packaging, to which we devote a great deal of care: each work is carefully packed, first with arti- cle material, then with a custom-made wooden box.

Should you have the desire to see this or other works in person, we would be happy to welcome you to our gallery in Riva del Garda, Viale Giuseppe Canella 18, we are always open by appointment only.

Antichità Castelbarco

CATALOGUE

17th Century Oil Painting Louis XIV