Empire clock “Au char de Vénus” after design by Jean-André Reiche

An exceptional and rare French Empire mantel clock depicting Venus in her chariot, crafted in gilt bronze and black marble, after a design by Jean-André Reiche (1752-1817). This exquisite piece symbolises faithful love, a common theme in early 19th-century neoclassical art. The clock features a female figure in the guise of Venus, playfully engaging with her dog while reclining in a swan-drawn chariot. She is dressed in a classical Empire-style gown, which has slipped from one shoulder, a style popularised by the paintings of Jacques-Louis David and widely embraced by the women of Napoleon’s court. The figure’s coiffure and attire are faithful to the refined aesthetic of the period.


Upon closer inspection, the chariot reveals itself to be shaped like a cornucopia: an emblem of abundance. The design of this Empire clock by Reiche also evokes the mythological birth of Venus (Aphrodite), said to have risen from the sea. Scattered across the composition are marine motifs that allude to her oceanic origins: a lobster, a seashell, and a fish-tailed creature, subtly enhancing the clock’s mythological depth. The timepiece rests on elegant ormolu toupee feet which support a base of black marble, adorned with finely cast ornaments of seashells, masks, and sea creatures.


The Empire clock houses an eight-day movement with anchor escapement and silk thread suspension, striking the hours and half-hours on a bell via a count wheel. The white enamel dial features gilded Breguet-style hands for the hours and minutes. This exceptional Empire clock retains its original mercury gilding and remains in excellent condition. It has been professionally serviced and is in perfect working order. It is offered complete with its original pendulum, winding key, and bell.


Paris, circa 1810.

Dimensions: Height 32 cm (12.6?), Width 30 cm (11.8?), Depth 12 cm (4.7?).


Literature
- François Duesberg Museum, “Arts Decoratifs 1775-1825”, p. 44.